Sony a6300 vs a6000: A worthy upgrade to a classic camera?

Two years on from the unveiling of the superb Sony a6000, Sony 
has announced a follow-up in the Sony a6300. But is it a worthy one?

   The new mirrorless interchangeable lens camera looks a lot like its predecessor,
with a signature design that dates back to the influential NEX series.

   Does that similarity extend beyond the exterior? How has Sony improved
 on one of the best cameras in its class?

Let's take a closer look at how the Sony a6300 and the Sony a6000 compare.

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SONY A6300 VS A6000: FASTER AUTOFOCUS

The headline feature of the Sony a6300 is its speed. More specifically, the speed of its
autofocus system.

Its 425 phase detection autofocus points (the highest available on any interchangeable
lens camera) enable the a6300 to achieve lock-on in just 0.05 seconds. Sony calls it
the world's fastest autofocus system (for an APS-C camera at least), and early reports
suggest that we'd be foolish to disagree.

Of course, Sony made similar claims with the Sony a6000 when it launched in early 2014,
but that attained the title with 179 phase detection points in a fractionally
slower 0.06 seconds.

Both cameras can shoot at 11fps in their respective burst modes.

SONY A6300 VS A6000: BETTER BUILD

We've mentioned that these two cameras look alike, and really, the similarity is undeniable.
But the Sony a6300 is made of significantly sterner stuff.

While the Sony a6000 featured magnesium alloy in its front section, the Sony a6300's
body is entirely composed of the material. Sony has also improved on the a6000's water
and dust resistance, and reinforced the lens mount structure.

The result is a more rigid, rugged, yet still relatively lightweight camera. Put simply,
 the Sony a6300 is better made.

SONY A6300 VS A6000: NEWLY DEVELOPED IMAGE

 SENSOR

Like the appearance of these two cameras, their image sensors appear to be
the same on paper. However, Sony claims that the a6300's 24.2-megapixel
APS-C sensor is "newly developed."

Apparently, the new sensor incorporates copper wiring into its structure, which improves
 light collection efficiency and significantly accelerates readout speed.

In conjunction with a BIONZ X processor enhanced by a new image processing
algorithm, the a6300 can manage ISO sensitivity of up to 51,200. The a6000
 went up to ISO 25,600.

SONY A6300 VS A6000: MUCH BETTER VIEWFINDER

Sony has packed the a6300 with a significantly improved viewfinder - or, to use Sony's
 terminology, a Tru-Finder.

Apparently, this is the same XGA OLED 2.4 million dot viewfinder as can be found on
Sony's top-end A7 range, but with a little less magnification.

It's also possible to bump the refresh rate up to 120Hz, so the camera's super-fast subject
tracking capabilities are accurately relayed to the eyepiece.

SONY A6300 VS A6000: SUPERIOR VIDEO 

RECORDING

Sony has made the a6300 a much better video-recording machine than before.
The a6000 wasn't exactly a slouch on this front, but it missed a few features.

Chief among those is 4K recording, which the a6300 can now manage, and in
the popular Super 35mm format. Additionally, it can step down to 1080p
for a smooth 120fps frame rate. Silky slo-mo ahoy.

There's an external mic input this time around, while S-Log gamma recording
enables wider dynamic range in your video. As Sony explains, this will allow for
greater creative potential in post-production.

SONY A6300 VS A6000: SAME E-MOUNT LENS 

SYSTEM, BETTER A-MOUNT SUPPORT

Sony is sticking with its ever-improving E-mount lens system for the a6300, so all the
lenses that work with the a6000 (or your old NEX) will work flawlessly here.

You can also use Sony's A-mount lenses with both through the appropriate adaptor,
but the a6300 adds a significant layer of functionality in this regard.

For the first time in Sony's E-mount range, the a6300's tracking and autofocus systems
will work with those aforementioned A-mount lenses, expanding your creative options
considerably.